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Detail
from the diaeta di Arione
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The Villa
Romana del Casale stands at the base of Mount Mangone, near the Gela
River. Built in the middle of the 4th
Century AD as a hunting lodge by a Roman patrician the Villa has an extensive
set of Roman mosaics and some of the best preserved. These extraordinarily vivid mosaics, produced
by North African artisans, deal with numerous subjects, ranging from Homeric
escapades and mythological scenes to portrayals of daily life, including the
famous girls exercising in their “bikinis”.
The presence of skilled African
mosaic workers linked to the cities of Carthage, Hippo, Caesarea, turned
Villa del Casale into one of the most important testimonies of all the African
mosaic art of the Late Antiquity and at the same time an example of the ability
of the Roman culture to convey the strength of its state, military and economic
organizations, concepts, and values throughout the Mediterranean. Flooded by sediment layers brought by a great
deluge in the 12th Century, the Villa was partly excavated in the 1930s but it
wasn't until the with the excavations of Paolo Orsi, Giuseppe Culrera and Gino
Vinicio Gentile did the magnitude and magnificence of Villa Romana del Casale
come to light.
The Villa
was built in four main sections: the main entrance with its thermal baths, an open
courtyard or peristylium with the living area and guest rooms, the private
rooms of the owner, complete with a public hall or basilica and a dining room
or triclinium with an elliptical courtyard.
This tour starts with the thermae or thermal baths, continues past palaestra
or gymnasium which on some maps is labeled as the salone de circo, then
continues past the peristylium.
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The
aqueduct leading to the thermae.
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The
praefurnia (furnaces) for the calidaria.
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The palaestra or gymnasium, the mosaics represent
the games of the Circus Maximus of Rome. |
The
peristylium was an open courtyard within the house; the columns surrounding the
garden supported a roofed portico. The following mosaics are from one of the porticos or from rooms off the peristyle.
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One of the medallions on the floor of the peristyle. |
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The room of the small game hunt has some of the best preserved mosaics.
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When one only has a spear a boar looks big to me.
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The great
hunting gallery is 60 meters which depicts a hunt starting from the eastern
empire on the right and western on the left ending with captured animals
unloaded at the port of Ostia.
In
1959-60, Gino Vinicio Gentili excavated a mosaic on the floor of the room
dubbed the "Chamber of the Ten Maidens" (Sala delle Dieci Ragazze in
Italian). Informally called "the bikini girls", the maidens appear in
a mosaic artwork which scholars named Coronation of the Winner. The young women
perform sports including weight-lifting, discus throwing, running and
ball-games. A woman in a toga is depicted with a crown in her hand; one of the
maidens holds a palm frond. The bikini girls represent a bit of remodeling and the older geometric patterned floor is visible in one corner of the room.
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All ten bikini girls, at the top left the old floor is exposed.
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Mosaics from some of the children's rooms
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Finally
we finish with the cubicle with the
erotic mosaic.
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The Cubicle with Erotic Mosaic |
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